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"Guan Xiao"

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Weather Forecast
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Guan Xiao

Film & Video (Film & Video)

Mixed clips from her collection of thousands of images found online, the three-channel video Weather Forecast is an inquiry into the necessity of a physical movement (a travel) for our identity to transform or change. The question “Why can’t we view Europe from a chair?” periodically punctuates the video, suggesting that a similar personal transformation could occur by experiencing a place through the Internet and staying in the same place. Few episodes appear, each being a transformation process in itself, either by correlation, juxtaposition, combinations of specific matters such as iconography, texts, landscapes, events.

David
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Guan Xiao

Film & Video (Film & Video)

David is a five-minute pseudo music video that features an upbeat melodic soundtrack with a duet by the artist Guan Xiao and frequent collaborator (and KADIST collection) artist Yu Honglei. Three screens display a collection of home videos filmed and uploaded by tourists at the Galleria dell’Accademia in Florence capturing Michelangelo’s eponymous masterpiece. The mass popularity and commodification of this artwork is further exaggerated with the numerous forms that we encounter and consume the image or likeness of the sculpture in our daily lives.

Eight Views of Xiao and Xiang V
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Hao Liang

Painting (Painting)

Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.

Guan Xiao

Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another...

Hao Liang

The work of Hao Liang reimagines and explores the sublime of contemporary ecological landscapes...

© » APERTURE

about 3 months ago (02/06/2024)

Taking a local, hometown look at the Chinese Spring Festival Shehuo, Zhang Xiao considers how the thousand-year-old tradition has transformed into a tourist-facing enterprise....

© » SOUTH CHINA MORNING POST

about 3 months ago (02/03/2024)

After one of China’s most famous 20th-century artists left his homeland, his life was a mystery...

© » LENS CULTURE

about 4 months ago (01/08/2024)

Whispers - Photographs by Yuanbo Chen | Text by Magali Duzant | LensCulture Feature Whispers A multi-layered approach to visual storytelling — a conversation, a portrait, and a detail of a personal object or a place — captures the shared experiences of Chinese citizens coping with isolation while abroad during the Covid lockdown...

© » WHITEHOT

about 4 months ago (12/18/2023)

Pipilotti Rist: Prickling Goosebumps and a Humming Horizon at Hauser & Wirth advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Pipilotti Rist: Prickling Goosebumps and a Humming Horizon at Hauser & Wirth Installation view 'Pipilotti Rist...

© » SOUTH CHINA MORNING POST

about 5 months ago (12/04/2023)

She made gods for 70 years: meet the matriarch of Singapore’s last handcrafted Taoist deity producer | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Tan Chwee Lian is the matriarch behind Say Tian Hng, Singapore’s last Taoist idol business...

© » SLASH PARIS

about 5 months ago (11/28/2023)

40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris Login Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back 40 ans du Frac !...

© » ARTS EQUATOR

about 17 months ago (12/06/2022)

Natasha: A Biennale By Any Other Name | ArtsEquator Skip to content Striving to experience Natasha on their own terms, Xiao Ting Teo runs through the gamut of emotions, from exhaustion to uncertainty, to amusement, to moments of connection at the Singapore Biennale 2022...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Chinese Collector Yan Du on Her Mission to Support the Greater Asian Art Ecosystem, and the Young Artists She’s Watching Now - via artnet news...

© » ARTS EQUATOR

about 29 months ago (12/02/2021)

JENG JENG JENG: Singapore Theatre Year In Review 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 2, 2021 JENG JENG JENG…! Year in Review is back! Where did 2021 go?...

© » ARTS EQUATOR

about 40 months ago (01/06/2021)

ArtsEquator's Hot List: January 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 6, 2021 Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month...

© » ARTS EQUATOR

about 45 months ago (08/20/2020)

An Elder Millennial’s Guide to Classic Singapore TV & Movies | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles August 20, 2020 By Joel Tan Okay, as if we needed another existential crisis during the Pandemic of 2020, more than a hundred classic Singapore TV shows and movies just got dumped on Netflix ...

© » ARTS EQUATOR

about 45 months ago (08/05/2020)

Burning Questions: Can Critics Criticise during a Pandemic? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 5, 2020 As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of their critical eye....

© » ARTS EQUATOR

about 47 months ago (06/25/2020)

ArtsEquator's Burning Questions | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 25, 2020 In a matter of just months, the making, distribution and audiences’ experience of arts has undergone rapid changes...

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about 55 months ago (10/14/2019)

CRITICS LIVE: A post-show response to "Merdeka" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 14, 2019 Join critics Corrie Tan, Nabilah Said, Carolyn Oei and Teo Xiao Ting in a post-show conversation about W!ld Rice’s Merdeka ...

© » ARTS EQUATOR

about 55 months ago (10/02/2019)

Contortions and Gentle Songs: SEA at Venice Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Olivia Kwok October 2, 2019 By Teo Xiao Ting (1,414 words, 6-minute read) A vivacious viscous zoo swirling with prestige and art, the Venice Biennale spins me exhausted after 45 days...

© » ARTS EQUATOR

about 63 months ago (02/22/2019)

To V and S in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Foreground: Saloma (Sakinah Dollah), background: Vinod (Abdul Latiff Abdullah) February 22, 2019 By Teo Xiao Ting (1,103 words, five-minute read) Dear Saloma and Vinod, I first met the two of you seven years ago, when I was 16...

© » ARTS EQUATOR

about 63 months ago (02/22/2019)

Pain and Cauterisation in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Saloma (Sakinah Dollah) and Vinod (Abdulatiff Abdullah) February 22, 2019 By Casidhe Ng (1, 543 words, eight-minute read) When the play ends (although it never really ends), Saloma sits on stage, alone, even after the house lights have been turned back on, with a look of uncertainty and shock plastered across her face...

© » ARTS EQUATOR

about 63 months ago (02/04/2019)

Letters to and from "yesterday it rained salt" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Benedict Cheong February 4, 2019 By Teo Xiao Ting (and Nabilah Said) (1,600 words, eight-minute read) Dear yesterday it rained salt , You crept up on me...

© » ARTS EQUATOR

about 63 months ago (02/04/2019)

Experiencing the Ebb and Flow of “yesterday it rained salt” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Benedict Cheong February 4, 2019 By Casidhe Ng (1,068 words, five-minute read) In yesterday it rained salt , we are always surrounded by the acoustics of the sea...

© » ARTS EQUATOR

about 65 months ago (12/20/2018)

Watch the ArtsEquator Theatre Wrap Up 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 21, 2018 As 2018 draws to a close, we interview four ArtsEquator writers in rapidfire style on the highs and lows of their theatre calendar this past year...

© » ARTS EQUATOR

about 65 months ago (12/18/2018)

Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...

© » ARTS EQUATOR

about 65 months ago (12/10/2018)

Weekly Picks: Malaysia (10–16 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 10, 2018 Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany...

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about 66 months ago (11/27/2018)

Down the Fast Food Chain of Desire in "The Reunification of the Two Koreas" Thinking and Talking about Arts and Culture in Southeast Asia Articles Crispian Chan, crispi photography November 27, 2018 By Teo Xiao Ting Click here to open the Twine in a new tab (if you’re reading this on a mobile browser, or otherwise have trouble viewing the Twine.) The Reunification of the Two Koreas by TheatreWorks was originally written in French by Joël Pommerat...

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about 67 months ago (11/04/2018)

Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...

© » ARTS EQUATOR

about 67 months ago (11/04/2018)

Foolishness and Enlightenment in “Lear is Dead” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Casidhe Ng (1,200 words, six-minute read) “You are a madman, and we are but fools,” the ensemble resounds...

© » ARTS EQUATOR

about 67 months ago (10/22/2018)

Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes....

© » ARTS EQUATOR

about 67 months ago (10/22/2018)

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...

© » ARTS EQUATOR

about 70 months ago (08/06/2018)

Weekly Picks: Malaysia (6 – 12 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 6, 2018 The Fall of the House of Usher , Lot’ng Arts Space, 2–12 Aug Promising a twisted journey into the mind of a mysterious house and the equally enigmatic residents...

© » ARTS EQUATOR

about 71 months ago (06/29/2018)

George Town marks UNESCO anniversary amid debate (via Nikkei Asian Review) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 29, 2018 GEORGE TOWN, Malaysia — On any given weekend, a 15-meter-long queue of international tourists materializes at the upper corner of Armenian Street, an atmospheric road packed with tourist shops and cafes at the heart of George Town, capital of Malaysia’s Penang State...

© » ARTS EQUATOR

about 71 months ago (06/18/2018)

Weekly Picks: Singapore (18 - 24 June 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore June 18, 2018 Suzhou Symphony Orchestra 2018 Asia Tour – Singapore by Suzhou Symphony Orchestra 18 June 2018 Maestro Chen Xieyang, along with the Suzhou Symphony Orchestra will present to you its programme featuring Profokiev’s epic tale of love and the powerful realism of Zhu Jian Er’s sonic world for the start for their Asian Tour 2018...

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this quarter (02/12/2024)

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about 68 months ago (09/08/2018)

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about 100 months ago (02/06/2016)